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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) established Soft Cell alongside Marc Almond at Leeds in 1977

The talented musician, a key member of the innovative 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo scored a global success with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of synth-pop.

He subsequently formed the innovative techno group The Grid, who secured popular acclaim with 1994's Swamp Thing.

Ball died peacefully in his sleep at his residence in London on October 22, only a short time after playing a headline show with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

At that performance, Ball performed in a wheelchair, as he had for the last two years, following a spate of health issues.

"I ended up injure myself significantly," he commented in a recent interview. "I fractured lower vertebrae in my back and fractured about multiple ribs and fractured my wrist."

After contracting pneumonia and suffering from sepsis, he was put in an medically-induced sleep and stayed in the hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the warmer months, as he was developing a fresh record with Almond, titled Danceteria, which is scheduled for release next year.

"He was concentrated and very pleased with the new album that we literally finished only a few days ago," stated the singer in a heartfelt message.
"It's truly heartbreaking as next year was all set to be such an uplifting year for him, and I find comfort from the fact that he heard the completed album and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", adding: "He was the heart and soul of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an immense aspect of my life and for the music you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a duo with someone is different from joining a group, the bond is incredibly close," he continued.
"That was the case with us. We experienced so many remarkable, incredible, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, photographed at BBC Radio 2 in 2018

Formative Years

Born into a single-parent household in the city of Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He was raised in the seaside town with his new family Donald and Brenda Ball, who changed his first name from Paul to David, alongside his sibling Susan, who was similarly welcomed.

He met Almond at an art college in the late 70s, where they were both learning fine arts. Inspired by a mutual passion of a music genre, they formed Soft Cell the very year, and promptly recorded an EP.

Creative Collaboration

The duo were an distinctive combination: Ball was the quiet technician, hunched over his synthesizer, while Almond was a flamboyant showman, all sparkle and makeup; but they attained a unique creative synergy.

Ball had cultivated a interest with electronic instruments after viewing Kraftwerk perform on BBC program Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting millions of units worldwide. Together with hits by other artists, Human League and Ultravox, it contributed to paved the way for the synth-pop sound of the 1980s.

The track was also featured on their full-length debut, their initial LP, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the record up with the separate release, Torch, which reached at number two in 1982.

Soft Cell in the studio
The pair were working on new material until just before Ball's death

Career Highlights

Fame had its benefits. "I loved being able to purchase my first home, having financial security and exploring, which might seem like a Miss World," Ball not long ago told with a publication.

But it also caused challenges. "Newfound wealth meant we could purchase substances to relieve the monotony" of media interviews and TV performances, Ball said.

"I know that's a common saying, but it's a truism for a valid cause, because it applies for so many bands."

During the hedonistic lifestyle, the duo were also drifting apart, but they succeeded to produce a second classic album - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They put out another LP, 1984's This Last Night In Sodom, before dissolving the band to concentrate on individual endeavors.

Almond went on to have a prosperous individual path, including the top 10 hit Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

After a further break, they returned in 2018, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was intended to be a final performance at the O2 Arena on 30 September, 2018.

Yet, they remained active, recording their latest project, Happiness Not Included, during the 2020 Covid lockdown.

Ball recently characterized the band's upcoming release as a tribute to the NYC nightlife they frequented while recording their first two albums.

He added that his time in hospital had shaped the group's music.

"I experienced strange recollections when I was coming and going of the hospital because I was on pain medication," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my head from that time.
"Simultaneously, it's about the times me and Marc had in the 1980s."

The final mixes were completed only a short time before Ball passed away. It is scheduled for release in Spring 2026.

LM
About the author

Lynn Montgomery

A seasoned tech analyst and writer with over a decade of experience covering UK startups, digital transformation, and market trends.

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